Francesco Bittichesu

TWITTER WHERE IS MY BENTLEY? LOVE IN THE TIME OF CORONAVIRUS /love header LOVE IN THE TIME OF CORONAVIRUS /love gallery MIDBAR - ONGOING VILLA NECCHI CAMPIGLIO PORTFOLIO ASIA/Portfolio header PORTFOLIO ASIA/Portfolio gallery ARCTIC ATACAMA MEDITERRANEO TWO RANGE ROVER CITTA' PROIBITA TWIN FALLS WEST 4TH NEW YORK BOURNE THE FAIR IN BUENOS AIRES SARDINIA, ITALY TERRELL GILLESPIE DRIVE MANHATTAN BRIDGE SKATERS LOTTA BEATRICE MERCEDES FRAMES OF LIFE GIORGIO ARMANI, TOKYO FRAMES OF LIFE GIORGIO ARMANI, LAPLAND KANGBASHI GHOST TOWN, 2010 FROM LOS ANGELES TO DEATH VALLEY, 2010 COSMOPOLITAN NEW YORK MOMENTS BMW X5 UNPERFECT SIBERIAN EDUCATION ONE FALSE MOVE VOLVO C40 RECHARGE THE FUTURE - VOLVO C40 COLOMBO TO BATTICALOA FEZ, MOROCCO TESLA MODEL S, NYC 2021 YOUNG KIRGHISI WALL STREET FIRE A SHORT SPY STORY LAND ROVER DEFENDER 90 THE SHOOTER HEINEKEN - THE CLOSER - BMW IX1 PINTEREST_ICON UNA GIORNATA PARTICOLARE OVERVIEWS/PLACES TANGO | GIORGIO ARMANI | ARGENTINA ABOUT ABOUT/BIO AWARDS MOVING IMAGE MAUI Pdf Builder CONTACT AQUAZZURRA SWIMMER MANUEL OTERO IN NEW YORK MASK-LESS ENERGY SAVING AT THE CORNER NYC 2022 I7 TIME OUT OF MIND (BUENOS AIRES 2007) COLLECTIVE MOMENTS WHERE ARE YOU GOING MINDHUNTER THE LIGHTHOUSE, CAGLIARI ITALY DUBAI IT'S JUST A GAME ANDREA AND MIGUEL CAGLIARI, ITALY LINKEDIN_ICON ISTANBUL, TURKEY SELF PORTRAIT ABOUT/Clients VENEZIA MERCEDES AMG 2024 LORO PIANA G NEW YORK NEW YORK KALEIDOSCOPE GIORGIO ARMANI FRAMES OF LIFE CORTINA D'AMPEZZO, ITALY SUMMER JOY BREATHING HEINEKEN PORTFOLIO WAVES GIORGETTINA OVERVIEWS/LIFESTYLE BUSHWICK DIARIES OGILVY BORGO EGNAZIA, PUGLIA NICO KIHEY, MAUI OVERVIEWS/TRAVEL & HOSPITALITY OVERVIEWS/OVERVIEW pool for future OVERVIEWS/OVERVIEW BODIES & WATER MAUI_CORE MAUI_LANDSCAPE/ATMOSPHERE SOCIAL MEDIA FORT DE FRANCE, MARTINIQUE, GAUCHOS ARGENTINA INSTAGRAM_ICON LA CORSA DEGLI SCALZI, CABRAS SARDINIA CITIZENS BANK+ SIRINE IN DUBAI CITIZENS BANK

My work reflects on time, distance, and the parallel unfolding of lives, observed through moments of stillness, waiting, and quiet presence.

The images move through landscapes and everyday situations, treating places not as destinations but as markers of time.

The project remains open and unresolved, allowing the question it carries to persist rather than conclude.

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